Night World : Soulmate Chapter 10

The first sight of her broke through his animal state and gave him enough mind to stand up like a man. She reminded him of Hellewise. She had that same look of tender courage, that same ageless wisdom in her eyes. Any woman could be pretty by virtue of regular features. But Hana was beautiful because her soul showed in her face. Seeing her made him ashamed. Seeing her defend him, intercede on his behalf as she was so obviously doing, made him angry. He resisted when she sneaked him out of the cave and tried to send him back into the world. Didn't she understand? It was best for him to die. As long as he was loose, no child, no woman, no man was safe. Even as he stood there in the moonlight with her, he was trembling with need. The bloodlust was trying to unbalance his mind, and it was all he could do not to grab her and bite into her soft throat. When she offered him her throat, he almost cried. It wasn't a sacrifice to turn her down and walk away. It was the only right thing to do, the only thing he could do. And then the hunters came. His mind was unbalanced by the torture. It was that simple. Not that it was an excuse, there was no excuse for what followed. But during the endless time while Hana's clan burned and stabbed and beat him, he lost all contact with the person he thought of as himself. He became an animal, as mindless as the mob that was trying to kill him. As an animal, he wanted two things: to survive and to strike out at the people who were hurting him. And there was a way to do both. Throats. White throats, spurting dark blood. The image came to him slowly in his haze of pain. He didn't have to lie here and take this. He was wounded, but there was still a granite core of strength inside him. He could fight back, and his enemies would give him life. The next time a spear jabbed at him, he grabbed it and pulled. It belonged to the broad-shouldered hunter, the one who'd led the others to him. Thierry grabbed the man as he stumbled forward, wrestling him to the ground. And then, before anyone in the crowd had time to react, he darted for the hunter's throat, for the big vein that pulsed just under the skin. It was all over in a minute. He was drinking deep, deep, and gaining strength with every swallow. The dam of the Three Rivers was staring at him in paralyzed shock. It felt good. He tossed the dead man aside and reached for another. When several hunters came at him at once, he knocked them apart and killed them, one, two, three. He was a very efficient killer. The blood made him supernaturally strong and fast, and the bloodlust gave him motivation. He was like a wolf set loose in a herd of antelope-except that for a long time nobody in the clan had the sense to run. They kept coming at him, trying to stop him, and he kept killing. It was a slaughter. He killed them all. He was drunk with blood and he gloried in it, in the animal simplicity of it, the power it gave him. Killing was glory. Killing to eat, killing for revenge. Destroying the people who hurt him. He didn't ever want to stop. He was drinking the last drops from the veins of a young girl when he looked down and saw it was Hana. Her clear gray eyes were wide open, but the light in them was beginning to go dark. He'd killed her. In one blinding instant he wasn't an animal anymore. He was a person. And he was looking down at the one person who had tried to help him, who had offered him her blood to keep him alive. He raised his eyes and saw the devastation he'd left in the cave. It wasn't just this girl. He'd murdered ‘most of her tribe. That was when he knew the truth. He was damned. Worse than Maya. He'd committed a crime so monstrous that he could never be forgiven, never be redeemed. He had joined evil in the end, just as Maya had promised he would. No punishment could be too great for him-but then, no punishment would make the slightest difference anyway, not to these people or to the dying girl in his arms. For just an instant some part of him pushed away at the feelings of guilt and horror. All right, you're evil, it said. You might as well go ahead and be evil. Enjoy it. Have no regrets. It's your nature, now. Give in. Then the girl in his arms stirred. She was still conscious, although barely. Her eyes were still open. She was looking up at him†¦. In that moment, Thierry felt a shock that was different from anything he'd ever felt before. In those large gray eyes, in the pupils which were hugely dilated as if to catch every last ray of light before death, he saw†¦ himself. Himself and the girl, walking together, hand in hand through the ages. Joined. Shifting scenes behind them, different places, different times. But always the two of them, tied with an invisible bond. He recognized her. It was almost as if all those different ages had already happened, as if he were only remembering them. But he knew they were in the future. He was looking down the corridor of time, seeing what should have been. She was his soulmate. She was the one who was supposed to have walked with him through different lives, being born and loving and dying and being born again. They'd been born for each other, to help each other grow and blossom and discover and evolve. They should have had many lives together. And none of it was going to happen. He was an immortal creature-how could he die and be born again? And she was dying because of him. He'd destroyed it all, everything. He'd killed his destiny. In the enormity of it, he sat silent and stunned. He couldn't say, â€Å"I'm sorry.† He couldn't say, â€Å"What have I done?† There was nothing that he could say that wasn't so trivial as to be demeaning to her. He simply sat and shook, looking down into her eyes. He had an endless feeling of falling. And then Hana spoke. I forgive you. It was just a whisper, but he heard it in his mind, not with his ears. And he understood it, even though her language was different from his. Thierry reeled with the discovery that he could talk to her. Oh, Goddess, the chance at least to tell her how he would try to atone for this by spilling out his own blood.. . You can't forgive me. He could see that she understood his own hushed answer. He knew he didn't deserve forgiveness. But part of him wanted her to realize that he had never meant this to happen. I wasn't always like this. I used to be a person- We don't have time for that, she told him. Her spirit seemed to be reaching toward him, drawing him into her, facing him in a still and separate place where only the two of them existed. He knew then that she had seen the same thing he had, the same corridor of time. She was gentle, but so sad. I don't want you to die. But I want you to promise me one thing. Anything. I want you to promise me you ‘II never kill again. It was easy to promise. He didn't plan to live†¦ no, she didn't want him to die. But he couldn't live without her and he certainly couldn't live after what he'd done. He'd worry about it later, about how to deal with the long gray stretch of future waiting for him. For now, he said, I'll never kill again. She gave him just the faintest of smiles. And then she died. The gray eyes went fixed and dark. Unseeing. Her skin was ghostly white and her body was absolutely still. She seemed smaller all at once as her spirit left her. Thierry cradled her, moaning like a wounded animal. He was crying. Shaking so hard he almost couldn't keep hold of her. Helpless, pierced by love that felt like a spear, he reached out to gently push her hair off her face. His thumb stroked her cheek- and left a trail of blood. He stared at it in horror. The mark was like a blaze of red against her pale skin. Even his love was deadly. His caress had branded her. The few survivors of Hana's clan were on the move, surrounding Thierry, panting and gasping with their spears ready. They sensed that he was vulnerable now. And he wouldn't have lifted a hand to stop them†¦ except that he had made a promise to Hana. She wanted him alive to keep it. So he left her there. He picked up her still, cooling body and carried it toward the nearest hunter. The man stared at him in fear and disbelief, but he finally dropped his spear to take the dead girl. And then Thierry walked out of the cave and into the merciless sunlight. He headed for his home. Maya caught up with him somewhere on the steppes, appearing out of the tall, ripping grass. â€Å"I told you how you'd end up. Now forget that washed-out blonde and start enjoying life with me.† Thierry didn't even look at her. The only thing he could imagine doing with Maya was killing her†¦ and he couldn't do that. â€Å"Don't walk away from me!† Maya wasn't laughing now. She was furious. Her voice followed him as he kept going. â€Å"I chose you, Theorn! You're mine. You can't walk away from me!† Thierry kept going, neither slower nor faster, letting her voice blend into the humming of the insects on the grassland. But her mental voice followed him. I'll never let you get away. You'll always be mine, now and forever. Thierry traveled fast, and in only a few days, he reached home and the person he'd come to see. Hellewise looked up from her drying herbs and gasped. â€Å"I'm not going to hurt you,† he said. â€Å"I need your help.† What he wanted from her was a spell to sleep. He wanted to sleep until Hana was born again. â€Å"It could be a long time,† Hellewise said when he told her the whole story. â€Å"It sounds as if her soul has been damaged. It could be hundreds of years- even thousands.† Thierry didn't care. â€Å"And you might die,† Hellewise said, looking at him steadily with her deep, soft brown eyes. â€Å"And with what you've become-I don't think creatures like you are reborn. You would just†¦ die.† Thierry simply nodded. He was only afraid of two things: that Maya would find him while he was asleep, and that he wouldn't know when to wake up. â€Å"I can arrange the second,† Hellewise said quietly. â€Å"You're linked anyway; your souls are one. When she's born again, voices from the Other Side will whisper to you.† Thierry himself figured out how to solve the first problem. He dug himself a grave. It was the only place where he could count on being safe and undisturbed. Hellewise gave him an infusion of roots and bark and Thierry went to sleep. He slept a long time. He slept straight through the epic battle when Hellewise drove Maya and her son Red Fern out of the tribe and away from the witches. He slept through the origins of the Night World and thousands of years of human change. When he finally woke up, the world was a different place, with civilizations and cities. And he knew that somewhere Hana had been born in one of them. He began to look. He was a wanderer, a lost soul with no home and no people. But not a killer. He learned to take blood without killing, to find willing donors instead of hunting terrified prey. He looked in every village he passed, learning about the new world surrounding him, surviving on very little, searching every face he saw. Lots of communities would have been glad to adopt him, this tall young man with dusty clothes and far-seeing eyes. But he only stayed long enough to make sure that Hana wasn't there. When he did find her it was in Egypt, the Kingdom of the Two Lands. She was sixteen. Her name was Ha-nahkt. And Thierry would have recognized her anywhere, because she was still tall, still fair-haired and gray-eyed and beautiful. Except for one thing. Across her left cheek, where his fingers had smeared her own blood the night that he had killed her, was a red mark like a bruise. Like a stain on her perfect skin. It was a sort of psychic brand, a physical reminder of what had happened in her last life. A permanent wound. And it was his fault. Thierry was overcome with grief and shame. He saw that the other girl, Ket, the friend who had been with Hana in the last life, was with her again now. She had friends. Maybe it was best to leave her alone in this life, not even try to speak to her. But he had forgotten about Maya. Vampires don't die. Life is strange sometimes. It was just as Thierry was thinking this that a figure walked into the lobby. Still half in his daydream of the past, he was expecting it to be Circe, so for a moment he was simply confused. Then his heart rate picked up and every muscle in his body tensed violently. † It was Maya. He hadn't seen her for over a hundred years. The last time had been in Quebec, when Hannah had been named Annette. And Maya had just killed her. Thierry stood up. She was as beautiful as ever. But to Thierry it was like the rainbow on oil scum. He hated her more than he had ever imagined he could hate anyone. â€Å"So you found me,† he said quietly. â€Å"I knew you'd show up eventually.† Maya smiled brilliantly. â€Å"I found her first.† Thierry went still. â€Å"That amulet was a very good one. I had to wait around to catch her alone so she could invite me inside.† Thierry's heart lurched. He felt a physical wrench, as if something in him were actually trying to get out, trying desperately to get to Hannah-now. How could he have been so stupid? She was too innocent; of course she would invite someone into her house. And she thought of Maya as a friend. The ring should have offered at least a measure of protection from mind control-but only if Hannah had kept it on. Thierry realized now that she probably hadn't. His voice a bare whisper, he said, â€Å"What did you do to her?† â€Å"Oh, not much. Mostly it was just conversation. I mentioned that you were likely to get rough with her if things didn't go your way.† Maya tilted her head, eyes on his face, looking for a reaction. Thierry didn't give it to her. He just stood, watching her silently. She hadn't changed in thousands of years. She never changed, never grew, never got tired. And she never gave up. He didn't think she was capable of it. Sometimes he thought he should just tie himself to her at the waist and find a bottomless pit to jump into. Rid the world of its two oldest vampires and all the problems Maya caused. But there was his promise to Hannah. â€Å"It doesn't matter what you say to her,† he said stonily. â€Å"You don't understand, Maya. This time is different. She remembers and-â€Å" â€Å"And she hates you. I know. Poor baby.† Maya made a mock-sympathetic face. Her eyes sparkled peacock blue. Thierry gritted his teeth. â€Å"And I've come to a decision,† he went on evenly. â€Å"The cycle has to be broken. And there is a way to do it.† â€Å"I know,† Maya said before he could finish. â€Å"You can give her up. Give in to me† â€Å"Yes.† This time he cut her off. And the look of astonishment that flared in her eyes was worth it. â€Å"At least, yes to the first part,† he finished. â€Å"I'm giving her up.† â€Å"You're not. You can't.† â€Å"She's happy in this life. And she-doesn't want me.† There. It had been hard to say, but he'd gotten it out. â€Å"She remembers everything-I don't know why, but she does. Maybe because she's so dose to her original form. Maybe somehow the memories are closer to the surface. Or maybe it's the hypnosis. But in any case, she doesn't want me anymore.† Maya was watching him, fascinated, her eyes the violet of deep twilight, her lips parted. Suddenly, she looked beyond him and smiled secretly. â€Å"She remembers everything? You really think so?† Thierry nodded. â€Å"All I've ever brought her is misery and pain. I guess she realizes that.† He took a breath, then caught Maya's eyes again. â€Å"So I'm end-tag the cycle†¦ now.† â€Å"You're going to walk away.† â€Å"And so are you. She's no threat to you anymore. If you want something from me, the only person to deal with is me. You can try any time you like in Vegas.† He gazed at her levelly. Maya threw back her head and let out ripples of musical laughter. â€Å"Oh, why didn't you tell me before? You could have saved me some trouble†¦ but on the other hand, her blood was very sweet. I wouldn't have missed-â€Å" She broke off, then, because Thierry slammed her against the oak-paneled wall of the lobby. In one instant, his control had disappeared. He was so angry that he couldn't speak out loud. What did you do to her? What did you do? He shouted the words telepathically as his hands closed around Maya's throat. Maya just smiled at him. She was the oldest vampire, and the most powerful. In every vampire who came after her, her blood had been diluted, half as strong, a quarter as strong, an eighth. But she was the original and the purest. She wasn't afraid of anyone. Mel I didn't do anything, she said, answering him the same way. I'm afraid you were the one who attacked her. She seemed very unhappy about it; she even stabbed you with a pencil. Maya lifted a hand and Thierry saw a neat dark hole puncturing it, faintly ringed with blood. The power of illusion, he thought. Maya could appear as anyone and anything she wanted. She had talents that usually only belonged to werewolves and shapeshifters. And of course she was a witch. She really has extraordinary spirit, Maya went on. But she's all right-you didn't exchange as much blood as you ‘d planned. The pencil, you see. People were gathering behind Thierry, murmuring anxiously. They were about to interfere and ask him to please let go of the girl he was strangling. He ignored them. Listen to me, he told Maya, staring into her mocking golden eyes. Listen, because I'm never going to say this again. If you touch Hannah again-ever-in any life-I will kill you. â€Å"I'll kill you,† he whispered out loud, to emphasize it. â€Å"Believe me, Maya, I'll do it.† Then he let her go. He had to get to Hannah. Even a small exchange of blood with a vampire could be dangerous, and Maya's blood was the most potent on earth. Worse, he'd already taken some of Hannah's blood last night. She could be critically weak now †¦ or starting to change. He wouldn't think about that. You won't, you know. Maya's telepathic voice followed him as he made for the door. You won't kill me. Not Thierry the compassionate, Thierry the good vampire, Thierry the saint of Circle Daybreak. You're not capable of it. You can't kill. Thierry stopped on the threshold and turned around. He stared directly into Maya's eyes. â€Å"Try me.† Then he was outside, moving quickly through the night. Even so, Maya got the last word. And, of course, there's your promise†¦.

Mr. Doe

* 1. Look over the scope statement (PE Figure 4-1). If you were an employee at Petrie’s Electronics, would you want to work on this project? Why or why not? The project scope statement is to describe a high level overview of the project size, duration, and outcomes as a summary of the baseline project plan (BPP) information. A project scope statement and a baseline project plan are created during project initiation and planning * 2. If you were part of the management team at Petrie’s Electronics, would you approve the project outlined in the scope statement in PE Figure 4-1?What changes, if any, need to be made to the document? * 3. Identify a preliminary set of tangible and intangible costs you think would occur for this project and the system it describes. What intangible benefits do you anticipate for the system? Cost Benefit Analysis Spreadsheet Alternative C Chapter 5 Electronics Case * 1. What do you think are the sources of the information Jim and his team collec ted? How do you think they collected all of that information? * 3. If you were looking for alternative approaches for Petrie’s customer loyalty program, where would you look for information?Where would you start? How would you know when you were done? * 5. Why shouldn’t Petrie’s staff build their own unique system in-house? Chapter 6 Electronics Case * 1. Are the DFDs in PE Figures 6-1 and 6-2 balanced? Show that they are, or are not. If they are not balanced, how can they be fixed? * 5. Why is it important for the team to create DFDs if they are not going to write the actual system code themselves? Chapter 7 Electronics Case * 2. Again, review the DFDs you developed for the Petrie’s Electronics case (or those given to you by your instructor).Use these DFDs to identify the attributes of each of the six entities listed in this case plus any additional entities identified in your answer to Question 1. Write an unambiguous definition for each attribute. Then , redraw PE Figure 7-1 by placing the six (and additional) entities in this case on the diagram along with their associated attributes. * 3. Using your answer to Question 2, designate which attribute or attributes form the identifier for each entity type. Explain why you chose each identifier. * 4.Using your answer to Question 3, draw the relationships between entity types needed by the system. Remember, a relationship is needed only if the system wants data about associated entity instances. Give a meaningful name to each relationship. Specify cardinalities for each relationship and explain how you decided on each minimum and maximum cardinality at each end of each relationship. State any assumptions you made if the Petrie’s Electronics cases you have read so far and the answers to questions in these cases do not provide the evidence to justify the cardinalities you choose.Redraw your final E-R diagram in Microsoft Visio. Chapter 8 Electronics Case * 1. In the questions asso ciated with the Petrie’s Electronics case at the end of Chapter 7, you were asked to modify the E-R diagram given in PE Figure 7-1 to include any other entities and the attributes you identified from the Petrie’s case. Review your answers to these questions, and add any additional needed relations to the document in PE Figure 9-1. * 5. Complete all table and field definitions for the Petrie’s Electronics case database using Microsoft Access.Besides the decisions you have made in answers to the preceding questions, fill in all other field definition parameters for each field of each table. Chapter 10 Electronics Case * 1. Why don’t information systems projects work out as planned? What causes the differences between the plan and reality? * 5. Information systems development projects are said to fail if they are late, go over budget, or do not contain all of the functionality they were designed to have. Is the customer loyalty program a failure? Justify you r answer. If not, how can failure be prevented? Is it important to avert failure? Why or why not? Use Case Diagram (CRM)

About PACs or Political Action Committees

Political Action Committees, commonly called PACs, are organizations dedicated to raising and spending money to either elect or defeat political candidates. PACs typically represent and advocate for the interests of business and industry, labor or ideological causes. Under current campaign finance laws, a PAC can contribute no more than $5,000 to a candidate committee per election—primary, general or special. In addition, PACs can give up to $15,000 annually to any national political party committee, and $5,000 annually to any other PAC. Individuals can contribute up to $5,000 to a PAC or party committee per calendar year. All PACs must be registered with the Federal Election Commission (FEC) in order to seek and accept contributions. According to the Federal Election Commission, a PAC is any entity that meets one of the following conditions: An authorized committee of a candidateAny club, association or other groups of persons that receives contributions or makes expenditures, either of which aggregate over $1,000 during a calendar yearA local unit of a political party (except a state party committee) that: (1) receives contributions aggregating over $5,000 during a calendar year; (2) makes contributions or expenditures either of which aggregate over $1,000 during a calendar year or (3) makes payments aggregating over $5,000 during a calendar year for certain activities that are exempt from the definitions of contribution and expenditure Where PACS Came From In 1944, the Congress of Industrial Organizations, the CIO part of what is today the AFL-CIO, wanted to help President Franklin Roosevelt get re-elected. Standing in their way was the Smith-Connally Act of 1943, which made it illegal for labor unions to contribute funds to federal candidates. The CIO went around Smith-Connally by urging individual union members to voluntarily contribute money directly to the Roosevelt campaign. It worked very well and PACs or political action committees were born. Since then, PACs have raised billions of dollars for thousands of causes and candidates. Connected PACS Most PACs are directly connected to specific corporations, labor groups, or recognized political parties. Examples of these PACs include Microsoft (a corporate PAC) and the Teamsters Union (organized labor). These PACs may solicit contributions from their employees or members and make contributions in the PACs name to either candidates or political parties. Nonconnected PACS Nonconnected or ideological PACs raise and spend money to elect candidates -- from any political party -- who support their ideals or agendas. Nonconnected PACs are made up of individuals or groups of U.S. citizens, not connected to a corporation, a labor party or a political party. Examples of nonconnected PACs include groups like the National Rifle Association (NRA), dedicated to protecting the 2nd Amendment rights of gun owners and dealers, and Emilys List, dedicated to protecting the rights of women to abortion, birth  control, and family planning resources.   A nonconnected PAC can solicit contributions from the general public of U.S. citizens and permanent residents. Leadership PACS The third type of PAC called leadership PACs are formed by politicians to help fund the campaigns of other politicians. Politicians often create leadership PACs in an effort to prove their party loyalty or to further their goal of being elected to a higher office. Under federal election laws, PACs can legally contribute only $5,000 to a candidate committee per election (primary, general or special). They can also give up to $15,000 annually to any national party committee, and $5,000 annually to any other PAC. However, there is no limit to how much PACs can spend on advertising in support of candidates or promote their agendas or beliefs. PACs must register with and file detailed financial reports of monies raised and spent to the Federal Election Commission. How Much Do PACs Contribute to Candidates?   The Federal Election Commissions reports that PACs raised $629.3 million, spent $514.9 million, and contributed $205.1 million to federal candidates from January 1, 2003, through June 30, 2004. This represented a 27% increase in receipts when compared with 2002, while disbursements increased by 24 percent. Contributions to candidates were 13 percent higher than this point in the 2002 campaign. These changes were generally greater than the pattern of growth in PAC activity over the past several election cycles. This is the first election cycle conducted under the rules of the Bipartisan Campaign Reform Act of 2002. How Much Can You Donate to a PAC? According to campaign contribution limits established every two years by the Federal Election Commission (FEC), individuals are currently allowed to donate a maximum of $5,000 per year to a PAC. For campaign contribution purposes, the FEC defines a PAC as a committee that makes contributions to other federal political committees. Independent-expenditure-only political committees (sometimes called super PACs) may accept unlimited contributions, including from corporations and labor organizations. Following the Supreme Courts 2014 decision in McCutcheon v. FEC, there is no longer an aggregate limit on how much an individual can give in total to all candidates, PACs and party committees combined.

The Battle Of Gettysburg And The American Civil War

Introduction Most modern historians, regardless of political biases, tend to agree that the Battle of Gettysburg was the turning point in the American Civil War. Some even go as far to as to call it the â€Å"high water mark† of the Confederate States. What is known is that it represented the last time a coherent Confederate Army threatened northern soil. In fact, from Gettysburg forward, the Confederation of Southern States would be fighting a defensive/fighting retreat. Gettysburg was one of the bloodiest battles of the war, but there were many bloody battles during the American Civil War. What enamors the public and historians alike is that Gettysburg was a rare battle that held consequences for the winner and loser that went far beyond a sole battle during a military campaign. History By the summer of 1863, the Army of the Potomac had not fared well against Gen. Robert E. Lee’s Army of Northern Virginia. In fact, the â€Å"draw† at Chancellorsville during Lee’s first incursion into the north was propped up to be a northern victory, despite terrible losses of human life. Losses had been heavy on both sides, but northern forces were taking the brunt of the casualties and public support for Abraham Lincoln was waning. As democracies usually go, a long, drawn out conflict is unpopular with voters and this war was no different. A decisive victory was needed, and needed badly. The situation was not all roses for the Confederacy, however. The state of VirginiaShow MoreRelatedBattle Of Gettysburg : Gettysburg Of The American Civil War1465 Words   |  6 PagesShaJuan Ervin Dr.Seamen MIS 303-01 2/24/16 Battle of Gettysburg Day 3 The Battle of Gettysburg is widely known as the largest battle of the American Civil War. This crucial battle occurred over three days, July 1st to July 3, 1863 surrounding the town of Gettysburg. In this battle, General Robert E. Lee tactfully awaited the forces of General Meade’s Union. On July 1st the Confederates were exploited by the Union resulting in a loss. The following day, the Confederates gained ground by conductingRead MoreThe Battle Of Gettysburg And American Civil War924 Words   |  4 PagesThe Battle of Gettysburg was fought over the first three days in July 1863, in and around the town of Gettysburg, Pennsylvania, by Union and Confederate forces during the American Civil War. Confederate General Robert E. Lee led the Army of Northern Virginia, while Union Major General George Gordon Meade commanded the Army of the Potomac. The Battle of Gettysburg involved the largest number of casualties of the entire war and is often described as the war s turning point. With his army in highRead MoreThe American Civil War: The Battle of Gettysburg985 Words   |  4 PagesGettysburg was fought during the Civil War between the Union Army of the Potomac led by General Meade, and the Confederate Army commanded by General R.E. Lee. The battle only was waged over the course of three days, but it would prove to be the most costly of the entire Civil War. In this paper, we will show how the Confederacy failed to identify certain principles of war, which lead them to incorrectly conduct a center of gravity and critical vulnerability analysis on the Union. Because of thisRead MoreThe Battle Of Gettysburg Was The Turning Point Of The American Civil War837 Words   |  4 PagesThe Battle of Gettysburg was the turning point of the American Civil war. General Robert E. Lee was the commanding officer of the Confederate army. During the battle of Gettysburg Lee’s military strategy was to fight offensive. 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The work of death was Civil War America s most fundamental and most demanding undertaking†Ã¢â‚¬â€ Drew Gilpin Faust. Death in the Civil War was indeed a principle in creating the America we know and love today. This was the bloodiest war in United States military history. Within the war was the Battle of GettysburgRead MoreSlavery And The Civil War1706 Words   |  7 PagesAbraham Lincoln once said, â€Å"A house divided against itself cannot stand.† In the 1800s, the American nation was slowly becoming a house divided against itself. The United States were no longer united, mainly over the issue of slavery. In fact, many historians believe that, â€Å"From the nation’s founding, the issue of slavery threatened to tear the United States apart.† (â€Å"The Civil War† 1). 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Predicting Job Performance - 1203 Words

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Art Vincent Van Gogh Essay Example For Students

Art Vincent Van Gogh Essay When she rejected him, van Gogh suffered a breakdown. He threw away all his books except for the Bible, and devoted his life to God. He became angry with people at work, telling customers not to buy the worthless art. He was eventually fired. Between the time of the heartbreak/ breakdown and the fall of 1880, van Gogh taught at a Methodist boys school. He aspired to become a minister and after a year of diligently studying, he refused to take the exams in what he called Latin, the dead language of poor people. He was denied entrance. In the winter of 1878, the same thing happened again. Van Gogh volunteered to preach and minister to the sick in south of Belgium. The evangelical committees disagreed with van Sagos lifestyle, which begun to take a tone of martyrdom. They refused to renew van Sagos contract and he was forced to find another occupation (Vincent Van Gogh). In the fall of 1880, van Gogh decided to move to Brussels and become an artist. Although he had no formal training, his younger brother Thee offered to support van Gogh financially. At the academy, he met Nathan van Rapped, who was to be his most important artist friend during his Dutch period. The Climax of his life In April 1881, van Gogh moved in with his parents where he set himself the task of earning how to draw. He experimented endlessly with all sorts of drawing materials and concentrated on mastering the technical aspects of his craft like perspective, anatomy and physiognomy. Most of his subjects were taken from peasant life. After a couple encounters with different women, he moved in again with his parents, who were now living in Ennui. The Potato Eaters The paining consisted of 5 figures sitting around a square table eating potatoes. Four of them are females and one male. Although the piece is laced in darkness, the mixed emotions residing in the faces of the occupants shine out brightly. These fugues are so intense that one can nearly hear the conversation being spoken. Subtle aspects create the illusion that the building is an actual residence for the five figures. The portrayal of ordinary peasant life did not come in a burst of creativity. Van Gogh had this painting planned out in advance. Van Gogh had a sense of confidence that took him to advertising the painting before he even had it. Nevertheless, the Potato Eaters failed to become the painting he set his mind to. Today, however, the painting has reached great heights in the artistic community and is considered as one of his retreat masterpieces, as he had intended it to be (The van Gogh Gallery). In Ennui, van Gogh first began painting regularly, modeling himself chiefly on the French painter Jean-Franà §ois Millet, who was famous throughout Europe for his scenes of the harsh life of peasants. Van Gogh set to work with an iron will, depicting the lives of villagers and humble workers. In the end of 1884, he began painting and drawing a major series of heads and work-roughened peasant hands in preparation for a large and complex figure piece that he was planning. By April of 1885, this period of his life came to fruition in the masterpiece of his Dutch Period. In the summer of 1885, he made a large number of drawings of the peasants working in the fields. The supply of models dried up; however, when the local priest forbade his parishioners to pose for van Gogh. He thus turned to painting landscape, inspired in part by a visit to Risks museum in Amsterdam. .u71bdf1c086a23e39061cba4c929eafae , .u71bdf1c086a23e39061cba4c929eafae .postImageUrl , .u71bdf1c086a23e39061cba4c929eafae .centered-text-area { min-height: 80px; position: relative; } .u71bdf1c086a23e39061cba4c929eafae , .u71bdf1c086a23e39061cba4c929eafae:hover , .u71bdf1c086a23e39061cba4c929eafae:visited , .u71bdf1c086a23e39061cba4c929eafae:active { border:0!important; } .u71bdf1c086a23e39061cba4c929eafae .clearfix:after { content: ""; display: table; clear: both; } .u71bdf1c086a23e39061cba4c929eafae { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u71bdf1c086a23e39061cba4c929eafae:active , .u71bdf1c086a23e39061cba4c929eafae:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u71bdf1c086a23e39061cba4c929eafae .centered-text-area { width: 100%; position: relative ; } .u71bdf1c086a23e39061cba4c929eafae .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u71bdf1c086a23e39061cba4c929eafae .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u71bdf1c086a23e39061cba4c929eafae .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u71bdf1c086a23e39061cba4c929eafae:hover .ctaButton { background-color: #34495E!important; } .u71bdf1c086a23e39061cba4c929eafae .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u71bdf1c086a23e39061cba4c929eafae .u71bdf1c086a23e39061cba4c929eafae-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u71bdf1c086a23e39061cba4c929eafae:after { content: ""; display: block; clear: both; } READ: Egyptian Art and Architecture EssayThis same year he enrolled at the academy in Antwerp. He found the lessons rather tedious but was impressed by the city and its museums. He fell under the spell of Rueben palette and brushwork and also discovered Japanese prints. In early 1886, van Gogh went to live with his brother in Paris. There he was finally confronted with the full impact of modern art, especially with the recent work of the impressionists and vivisectionists. He discovered that the dark palette he had developed in Holland was out of date. In order to brighten up he began painting still lives of flowers. The search of his own idiom led him to experiment with impressionist and postmodernists techniques. He also studied the prints of Japanese master. During this time, he made friends with fellow artists such as Paul Gauguin, Emilee Bernard, Paul Signal, and Georges Serrate. Within two years van Gogh name to terms with his latest development and had forged his own highly personal style. In the early 1888, van Gogh was now a mature artist, who went south to Arles, in Provence. There was where he at last began to feel confident about his choice of career. He set out to make a personal contribution to modern art with his daring color combinations. He was swept away by the landscape around Arles. In the spring he painted numerous scenes of fruit trees in full blossom. In the summer he painted the yellow wheat fields. Although he had difficulty finding models, he did make portraits, among which were those in the Rolling family. It was typical of van Sagos faith in his own abilities that he decided not to try to sell any work yet but to wait until he had thirty top-class pictures with which he could announce himself to the world. He enjoyed the thought that a number of other artists would come and Join him in Arles, where they could all live and work together. The idea seemed to get off to a promising star when Gauguin arrived in October of 1888 (Vincent Van Gogh ). The End Although towards the end of 1888, his optimism was rudely shattered by the first signs of his illness, a type of epilepsy that took the form of delusions and psychotic attacks. It was during one of those seizures that he cut off his left earlobe. Gauguin made hasty departure and van Sagos dreams of an artists colony disappeared. In April of 1889 he entered himself in the Saint-Paul-De-Mausoleum asylum as a voluntary patient. Van Gogh was unable to work when he suffered episodes of his illness, if he felt well enough, he went out to draw and paint in the garden or surroundings of the asylum. His use of color, which was once intense, became mute. He tried to make his brushwork more graphic. By the closing months of the year, he successfully had two f his paintings shown at the fifth exhibition of Society des artistes independents. Van Gogh made a large number of transitions in color of prints by some of his favorite artists, like Millet and Eugene Delicacies. He found them consoling. They helped him keep in practice (Van Gogh: His Life and Art). Starry Night One of van Sagos most well-known paintings is Starry Night. The features within the painting are responsible for its growing popularity. There are actually several main aspects that intrigue those that view the image. The sky is filled with swirling clouds, stars ablaze with their own luminescence and a bright crescent moon. Although the features are exaggerated, it is view most individuals are comfortable with. This painting was painted while in an Asylum at Saint-Remy in 1889 (The van Gogh Gallery). .uc83f413a7a2b2c18cce6135d9304fd41 , .uc83f413a7a2b2c18cce6135d9304fd41 .postImageUrl , .uc83f413a7a2b2c18cce6135d9304fd41 .centered-text-area { min-height: 80px; position: relative; } .uc83f413a7a2b2c18cce6135d9304fd41 , .uc83f413a7a2b2c18cce6135d9304fd41:hover , .uc83f413a7a2b2c18cce6135d9304fd41:visited , .uc83f413a7a2b2c18cce6135d9304fd41:active { border:0!important; } .uc83f413a7a2b2c18cce6135d9304fd41 .clearfix:after { content: ""; display: table; clear: both; } .uc83f413a7a2b2c18cce6135d9304fd41 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .uc83f413a7a2b2c18cce6135d9304fd41:active , .uc83f413a7a2b2c18cce6135d9304fd41:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .uc83f413a7a2b2c18cce6135d9304fd41 .centered-text-area { width: 100%; position: relative ; } .uc83f413a7a2b2c18cce6135d9304fd41 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .uc83f413a7a2b2c18cce6135d9304fd41 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .uc83f413a7a2b2c18cce6135d9304fd41 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .uc83f413a7a2b2c18cce6135d9304fd41:hover .ctaButton { background-color: #34495E!important; } .uc83f413a7a2b2c18cce6135d9304fd41 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .uc83f413a7a2b2c18cce6135d9304fd41 .uc83f413a7a2b2c18cce6135d9304fd41-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .uc83f413a7a2b2c18cce6135d9304fd41:after { content: ""; display: block; clear: both; } READ: Coleman Art Museum Case EssayIn January of 1890, although he now had a small but growing group of admirers, van Gogh had lost his original passion. He wrote to his brother: l feel a failure. Thats it as far as I am concerned- I feel that this is the destiny that I accept, that will never change. He nevertheless continued working hard during his two months in Avers-sure-Jose, producing dozens of paintings and drawings. Life had become an intolerable burden. At Eternitys Gate At Eternitys Gate also known as Sorrowing Old Man is an oil painting that he made in 1890 in Saint-Remy. The painting was completed in early May at a time when he was convalescing from a severe relapse in health and two or so months before his death. The work depicts an aged man seated with his head held in his hands, experiencing extreme sorrow and regret at the moment of his passing. Although this was Just once a drawing from 1882, it was until he was at Saint- Remy that he painted this work. It reflects the emotions van Gogh must have been feeling as his mental state deteriorated (The van Gogh Gallery). On July 27, 1890, he hot himself in the chest. He died two days later. Thee, who had stored the bulk of Vincent work in Paris, died six months later. Theses widow, Johanna van Gogh- Bonged returned to Holland with the collection and dedicated herself to getting her brother in law the recognition he deserved. In 1914, with his fame assured, she published the correspondence between the two brothers. Today, van Gogh is considered the greatest Dutch painter after Rembrandt. Unfortunately, van Gogh was not around to witness the greatness his works became. He contributed so much to the artistic community with his use of nature and painting figures the way he arrayed them.

Political Institutions Essays - Politics Of Asia, Politics

Political Institutions Japan 1. The 1947 Japanese constitution was imposed by the United States and its Occupation Authority after its victory in WWII. The constitution seeks to construct a system of representative democracy, with the emperor remains the head of state, but merely as a ceremonial figure. The constitution guarantees the fundamental rights of citizens and also pledges that "land, sea, and air forces, as well as other war potential, will never be maintained," but this provision has not prevented the government from building "self-defense forces," which was actually allowed to expand during the Cold-War U.S. and Soviet confrontation. 2. The legislature: Japan is a parliamentary system in contrast to the US presidential system. The Japanese parliament is the Diet, which consists of two Houses--the House of Representative and the House of Councillors. The primary power in the Diet rests with the lower house. Although the Diet is bicameral (a bill becomes law only when it is passed by both chambers), the lower house has the power to override, by a two-thirds vote for a second time, any attempt by the upper house to negate actions of the lower house. Moreover, the lower house chooses the prime minister and has virtual control of the budgeting process. In general, when the upper house makes a decision different from the lower house and when no agreement can be reached or when the upper house fails to take final action within a certain time, the decision of the lower house becomes that of the Diet. These are all general features of parliamentary forms of government similar to those found in all parliamentary systems. 3. Executive, parliamentary, and judicial relationships: US political system is based upon separation of powers which have checks and balances on each other, whereas Japan's political system, which is similar to the British tradition, is based on the fusion of powers, stressing more cohesion between the executive and legislative functions. The tradition of consensus seeking is deeply rooted in Japan's political culture which is collectivistically based. The head of executive power (the Prime Minister) is indirectly elected by the parliament and he is the leader of the majority party in the parliament who names a cabinet that runs the various state ministries and carries out the policy of the majority party. The cabinet is recruited from the Diet and is largely made up of senior members of the majority party or members of coalition parties in the absence of a one-party majority. Both the prime minister and the cabinet members are responsible to the Diet, and all ministers must resign en masse if the House passes a no-confidence resolution or rejects a confidence motion. All supreme court justices, except the Chief Justice who is designated by the cabinet and nominally appointed by the Emperor (a symbolic figurehead), are appointed by the cabinet without the disguise of a bow to the Emperor. The Supreme Court, however, like the U.S. counterpart, enjoys the power of judicial review and can declare the legislation unconstitutional. 4. Power structure: Japan is traditionally a centralized bureaucratic state modeled on the Chinese Confucian tradition and such a structure remains in today's Japan. US is federal system, the state power protected by the constitution, and the states are more autonomous, whereas Japan is unitary system, local governments (47 prefectures or counties) and their policies are largely controlled by the central government and can be modified by the central government on the nationwide base. For example, local police and school issues are overseen by centralized administrative boards. Borrowing by local governments must be approved by the Ministry of Home Affairs, which is the national agency that oversees local governments. 5. Electoral system: after 1994, the House of Representative has 500 members. 200 are elected by the proportional representation system and 300 are elected from single-seat constituencies or single-member-district plurality system. The House of Councillors has 252 members who serve six- year terms, but half of the total number is elected every three years. That is to say, the Japanese electoral system is similar to that of Germany, which is a combination of plurality and proportional representative systems. In both houses, voters have two votes in elections, one for a party and the other for an individual. 6. Party system: The Liberal Democratic Party (LDP) used to dominate Japanese politics from 1955 to 1993, although many other parties did exist, such as New Frontier Party, Democratic Party of Japan, Japan Communist Party, Social Democratic Party, and other smaller parties. However, Japan's one-party domination was shattered by the 1993 election, which produced no clear majority